Door County Art League Meeting: April 24, 2006
Contact me:

ROB WILLIAMS STUDIO/GALLERY
753 Isle View Road Ellison Bay, WI. 54210
Open June-October 10-5, Thurs, Fri, Sat.;
or call 920 854-9823 Oil Paintings, Door
County landscapes, B&W photography


robwill_60142@yahoo.com

Rob Williams promises to be the spark that ignites the 2006 Door County Art League season.  His creative,
abstract and realistic water based oil paintings hold an appeal for all observers.  The first meeting of the 2006
Art League season will be held at the Baileys Harbor Town Hall, Monday, April 24 from 7 – 9 pm.  Rob states
that he has always loved the making of art and that led him into a thirty two year teaching career in Crystal
Lake, Illinois.  The process is the turn on.  To be able to create a beautiful painting, by combining knowledge
and skill is always a satisfying and sometimes surprising experience.  This way of thinking took Rob from the
teaching world into an entirely new second career when he retired.
As Rob exited the teaching world and moved to his family’s vacation home in Door, he found himself
interested in changing from a watercolor artist toa new media.  Williams says he likes to use water based oils
because they offer the advantages of traditional oils…flexibility, rich color, and spontaneity, plus easy
cleanup.  This change in media allows him to work on a larger scale.  This new size allows for all of the
abstraction and color and even some reality to be pulled together into what makes Rob’s body of work.  Using
a new media was stimulus for the predominately landscape artist.  He says that he begins the creative process
by doing three things:  taking photographs everywhere that visually stimulates him, does value sketches, and
plein air sketches/paintings.  Combining all of these techniques and juxtapositioning them allows for entirely
unique views of nature.  Rob says that he likes to combine natural forms and dramatic light effects and
abstract design…line, color, shape, and texture are part of the process utilized to create something new.  The
loose painterly style allows a sense of energy and movement that seems to draw you into the work while
giving the viewer an opportunity to interpret as they wish.  All of this culminates in a painting with a visual
interpretation of something that Rob has experienced; designed for impact; and painted in a free personal
style.  Williams is partial to landscapes because he sees them as easy to transform into an abstract where trees
become line and ground and sky become shapes.   Light and atmosphere become color and value.  There is a
freedom to change shapes and sizes to get the desired effects.   Rob sees landscapes as a freedom fro
expression.  He has a number of artists that e he admires.  The most influential artists in Rob Williams’ work
are Wolf Kohn, Mark Rothko, and David Hockney.  Each of these artists has given him new insights.  All of
this personal enthusiasm and professional observation of other artists gives Rob Williams a solid background
for production.  He promises to hold the attention of all who view his presentation at the DCAL Meeting,
Monday, April 24 at the Baileys Harbor Town Hall from 7-9pm where he will present Water-Based Oil.  The
community is invited to participate in this presentation.
The 2006 Art Season will be busy as Rob will be presenting his work at the PAS, The Paintbox Gallery, The
Hardy Gallery, The Gallery Ten and Gills Rock Arts weekend.  Williams works can be viewed at his own
gallery/studio which is located at 753 Isle View Road in Ellison Bay.  His studio is open from 10-5, Thursday,
Friday, and Saturday from June 15th through October 31st.
For further information about this meeting and the DCAL, contact Jeanne Whildin at 1-920-823-2532 in
Jacksonport, Wisconsin.  Jeanne is the president of the DCAL.

ARTIST STATEMENT:
I have always loved the making of art. This has led me to a career in art education and after years of teaching,
I am still fascinated with the process. To be able to create a beautiful painting by combining my knowledge
and skill is always a satisfying and sometimes surprising experience.
I paint in water mixable oils. This medium has all the advantages of traditional oils...flexibility, rich color,
and spontaneity plus easy cleanup without using solvents.
My home and studio is located in the northern woods of Door County WI. This beautiful and rugged area has
been an unending inspiration for a series of landscape paintings. I try to combine the visual experience...
natural forms, autumn color, or dramatic light effects, with abstract design...line, color, shape, texture, to
create something new using a free personal style.
2006 Meeting Demonstrations
2007
Creating a Painting..or How long did it take to do that?

1.Observe nature...walk in the woods, drive the back roads, visit the same spot at different times of the day,
year, in different light and weather.

2. Photography-carry the camera with you to capture the fleeting
moment of changing light and weather.

3. Plein air painting...Observing, drawing, and painting one area for
2 or 3 hours lets you experience the atmosphere of the place.

4. Compositional value sketches...simplify to eliminate the clutter of
nature. Design to emphasize expression.

5. Color scheme- Natural? Warm? Cool? Intense? Contrasting? Muted?
Color creates mood and expression.

6. Format and Size...Both effect expression.

7. Purchase ART materials- brushes, paints, palette, easel, canvas, stretchers,      staples, sketchbooks, drawing
pencils, French easel, Etc.

8. Set up Work Area...consider light source, ventilation, space for working and      storage.

9. FOCUS on what you want to express.

10. Stretch your canvas; gesso if needed.

11. Practice on paper or small canvases...toss out unwanted results!

12. Begin the painting with an under painting...thin paint, large shapes, include     whole composition.  Make
adjustments, lighten, darken, or lift off areas; try          various brushes for texture; layer colors to create depth.
Use smaller brushes for detail.

13. Finishing may be the toughest part. Your concentration usually starts to fade  after 4 or 5 hours...pace
yourself...come back another hour, day, or week when you can see clearly...when your painting speaks to you
STOP

14. Varnish when dry for protection. Frame...choose a frame that fits the             expression of the painting; a
simple elegant frame focuses on the artwork.
Rob Williams Plein Air Painting Supply List

1. French Easel or lightweight portable easel

2. Water-Mixable Oils...Windsor Newton Artisan (my choice), or
Grumbacher Max or Max2 oils...regular size tubes are fine (37ml) except
buy a large white (120ml)...recommended colors:
( Note these are nontoxic if Windsor Newton Artisan






3. Variety of White Bristle Brushes... 6-8 brushes, plus a 2-inch house
painting brush from the hardware store.
I recommend a basic set with two large Filberts (NO. 12, No. 8), two rounds
a small No. 1, and a midsize No.6 , a midsize Bright No. 5, and a No. 6 flat.
It is not necessary to spend a lot on these brushes...moderately
priced brushes are fine.

4. Paper Palette, 12x16...handy and disposable for outdoor painting.

5. Small sketchbook, pencils...note taking and quick compositional sketches.

6. Canvas boards or stretched canvas...16x20, at least 3. Stay Away from
cheap cardboard canvas panels...they can warp . Use canvas boards
made from wood or hardboard, or stretched canvas. (Pintura Panels work
well ). Many plein air painters make their own panels from gessoed masonite
or gessoed  rag board or watercolor paper, or gluing canvas onto masonite.

7. Other Basics: paper towels or terry cloth rags, water container...plastic
bottle or can, tote bag, bug spray, sun block, hat, jacket.

8. Extras: portable chair, drinking water, canvas carrier, camera, snack,
umbrella .

Art supplies are less expensive when ordering from the large art supply stores like A.S.W., or Jerry’s, Dick
Blick, or Utrecht. All have online stores and your art supplies are at your door in less than 2 weeks. If you have
any questions, feel free to contact me at
robwill_60142@yahoo.com, or contact me at my studio in Door
County at (920) 854-9823.
Titanium White
Permanent Rose
Phalo Green
Cadmium Yellow Hue
Yellow Ochre
Ultramarine Blue
Pthalo Blue
Burnt Sienna
Burnt Umber
Cadmium Orange Hue
Sap Green
Dioxazine Purple
Raw Umber
Naples Yellow Hue
Lemon Yellow
WATER MIXABLE OILS

These oils, like traditional oils, are extremely flexible and offer a wide range of styles and techniques...with
some additions.

1) You can clean brushes in water rather than solvents.

2) You can wipe off  areas of your painted canvas with a sponge or a damp rag.

3) You can wipe off the entire painting and save the canvas for another day!

4) You can lift off shapes, lines, and texture with a damp rag as an added painting technique.  

5) You can use a wash (paint plus water) for your compositional sketch or an entire under painting.

6)You can store and transport materials without solvents.

____________________________________________________________

NOTE:  Winsor-Newton Artisan and Grumbacher MAX  brands are closest to traditional oils in drying times
and use of painting mediums.
Brushes can be cleaned thoroughly with "Shout" laundry cleaner.